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Griswold, Susan C. "Topoi and Rhetorical Distance: The Feminism of Maria de Zayas," in Revista de Estudios Hispanicos XIV, no. 2 (1980): 97-116. McKay, Carol. "Maria de Zayas: Feminist Awareness in Seventeenth Century Spain," in Studies in Language and Literature. Richmond, Ky: Eastern Kentucky University Press, 1976, 377-381. McKendrick, Melveena. Woman and Society in the Spanish Drama of the Golden Age. London: Cambridge University Press, 1974. Matulka, Barbara. "The Feminist Theme in the Drama of the Siglo de Oro," in The Romanic Review XXVI, no.
Evil often goes unpunished and good may or Page xxx may not be properly rewarded. Indeed, contrary to all the rules of poetic justice, the most repeated motif in the twenty novellas is the victimization of an innocent woman sacrificed on the altar of love, or honor, a motif reminiscent of stories of the early Christian martyrs. What strikes us as "truest" in the novellas is the presentation of love from the woman's point of view. The treatment of this complex emotion is much more than a cliche or a pretext for a message.
The Miser's Reward" is a witty Page xxi satire of a man's avarice. "Forewarned but not Forearmed" satirizes a man who, fearing that a clever woman will dishonor him, deliberately marries a mindless woman and, too late, learns his lesson. With delicious humor, both focus on the male protagonist who deceives and is himself deceived. Both were translated into French by Scarron and so, indirectly, came to serve as inspiration for Moliere's L'avare and L'ecole des femmes. It is interesting to note, from a cursory review of Zayas's stories adapted into French and English, that the five men's tales have far outstripped in popularity the fifteen women's tales.