Aberration in Modern Poetry. Essays on Atypical Works by by Lucy Collins

By Lucy Collins

This severe paintings considers the position performed through parts that would be thought of aberrational in a poet's oeuvre. With an introductory essay exploring the character of aberration, those fourteen contributions examine the paintings of significant 20th-century poets from the united states, Britain, eire, Australia and New Zealand. Aberration is taken into account from the perspective of either the artist and the viewers, prompting dialogue on a variety of very important matters, together with the formation of the canon. each one essay discusses the prestige of the aberrant paintings and the ways that it demanding situations, enlarges or helps the general belief of the poet.

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Extra info for Aberration in Modern Poetry. Essays on Atypical Works by Yeats, Auden, Moore, Heaney and Others

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12. Patricia C. Willis’s The Complete Prose of Marianne Moore; The Selected Letters of Marianne Moore, edited by Bonnie Costello, Celeste Goodridge, Cristanne Miller, and Gregory’s Critical Response. Linda Leavell is currently preparing a biography of Moore. To date, the only biographical work on Moore is Charles Molesworth’s Marianne Moore: A Literary Life, for which he was not given permission to quote from Moore’s unpublished letters and papers. Equally significant, Robin G. Schulze has edited all Moore’s published poems up through 1924, in Becoming Marianne Moore: The Early Poems, 1907–1924, and Heather Cass White has edited a similarly complete collection called A-Quiver with Significance: Marianne Moore 1932 –36, picking up where Schulze leaves off.

10. This has begun to change in the last decade, when increased scholarly focus has turned to Moore — for example, in chapters of books like Jeffrey Westover’s The Colonial Moment, Zhaoming Qian’s The Modernist Response to Chinese Art, Catherine Paul’s Poetry in the Museums of Modernism, and John Emil Vincent’s Queer Lyrics. See Questions of Authority for a review of scholars in the mid–1980s still ignoring Moore or dismissing her work as unimportant to modernism (279–80 n5). 11. One indication of the extent to which Moore is celebrated through a kind of collective ignorance is the plethora of reviews following Grace Schulman’s recent edition of Moore’s poetry: Omission and Aberration in Marianne Moore’s Poetry (Miller) 33 this edition (The Poems of Marianne Moore) is regarded as a disaster by dedicated Moore scholars because of its inaccuracy.

Marianne Moore: A Literary Life. New York: Atheneum, 1990. Moore, Marianne. A Marianne Moore Reader. New York: Viking, 1961. _____. A-Quiver with Significance: Marianne Moore 1932 –36. Ed. Heather Cass White. Victoria, BC: ELS Editions, 2008. _____. Becoming Marianne Moore: The Early Poems, 1907–1924. Ed. Robin G. Schulze. Berkeley: University of California Press, 2003. _____. Complete Poems. New York: Macmillan and Viking: 1967; second edition, 1981. _____. The Complete Prose of Marianne Moore.

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