By Chris Meyer
Книга developing movement portraits with After results: crucial and Advanced... growing movement portraits with After results: crucial and complex innovations, 4th EditionКниги English литература Автор: Chris & Trish Meyer Год издания: 2007 Формат: pdf Издат.:Focal Press; 4th variation Страниц: 704 Размер: 22,1 ISBN: 978-0240810102 Язык: Английский0 (голосов: zero) Оценка:From my earliest days utilizing After results, I owe a lot of what i do know to Trish and Chris Meyers sessions and books. Alex Lindsay, ex-ILM/JAK movies, leader Architect, Pixel Corp. movement portraits and relocating pictures are necessary to speaking in a memorable approach. Trish and Chris Meyer are masters in their craft and are uniquely certified to lead a person studying Adobe After results. --Michael Coleman, Product supervisor, Adobe After results
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Additional info for Creating Motion Graphics with After Effects: Essential and Advanced..
You can enter a custom start time for each comp. This number is used for display only. 31 2 // Creating a Composition Show Channel Option+click (Alt+click) on the Show Channel button to view the comp’s alpha channel; repeat to return to RGB. RGB Straight may look disconcerting, but is actually the preferred output style when rendering a movie with an alpha. When After Effects displays an image, internally it is thinking of the Red, Green, Blue, and Alpha channels that make up that image. The Show Channel menu at the bottom of the Comp panel lets you view these channels individually.
After Effects will give you the choice of creating an individual comp for each item you selected, or one comp that uses all of the sources. If you choose to create one comp, you can pick which source should be used to decide the comp’s dimensions, and optionally sequence the sources one after the other. ) A third way to create a comp is to drag a source item directly to the Render Queue panel (discussed in Chapter 40) – After Effects will create comps for them as if you had dragged them individually to the Create a New Composition button.
If you edit the solid by selecting Layer > Solid Settings when the Project panel is forward, all instances of this solid will be changed. ț In the Timeline panel, select the topmost solid layer, then open Layer > Solid Settings. Take a note of the “Affect all layers that use this solid” switch at the bottom. When multiple layers are referencing the same solid source, you have the option to change all instances or create a new solid. It defaults to its last state. Change one of this solid’s settings, rename it “My Solid 2”, and click OK.